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Artist Critique with Natalie Ball

New York, NY — November 11, 2021
Renowned Indigenous Contemporary Artist, Natalie Ball, is a proud Soul of Nations Foundation partner for the Indigenous International: Green Architecture Project and led an online artist critique zoom call to review selected works of the Bolivian and Nigerian Fellows participating in the Green Architecture Project. This review primarily focused on film and photography works.
Natalie Ball (Black, Klamath & Modoc) is an interdisciplinary artist based in Chiloquin, Oregon. She has a Bachelor’s degree with a double major in Ethnic Studies and Art from the University of Oregon. She furthered her education in New Zealand at Massey University, where she obtained her Master’s degree, focusing on Indigenous Contemporary Art. Ball then relocated to her ancestral homelands to raise her three children. Her work has been shown nationally and internationally at venues including the Half Gallery, New York, NY; Vancouver Art Gallery, British Columbia; Nino Mier Gallery, Los Angeles, CA; Portland Art Museum, OR; Gagosian, New York, NY; Seattle Art Museum, WA; Almine Rech Gallery, Paris, France; and SculptureCenter, New York, NY. Natalie attained her MFA degree in Painting & Printmaking at Yale School of Art in 2018.
All artists are Fellowship members of the Indigenous International: Green Architecture Project and created works focus on the concept of home, sovereignty, and environmental stability, and were manifested through a one-year cross-cultural virtual exchange. Special thanks to Natalie for standing in solidarity with the Soul of Nations Foundation by helping to cultivate a limitless safe space for Black and Indigenous creatives around the world.
Indigenous International is the umbrella program created through the Soul of Nations Foundation’s Indigenous Arts Expansion Initiative which is aimed to help connect Indigenous and Black communities with boundary-pushing cultural and artistic experiences around the world.

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